Reviews

Seth Rogen’s Yearbook
Review Essay: Clarence Jefferson Hall Jr.’s A Prison in the Woods: Environment and Incarceration in New York’s North Country
CAConrad’s Amanda Paradise
Rafia Zakaria’s Against White Feminism
Wade Stevenson’s Love at the End
Kaveh Akbar’s Pilgrim Bell
Bad Religion and Jim Ruland’s Do What You Want: The Story of Bad Religion
Double Review: Carolyn Forché’s What You Have Heard Is True & In the Lateness of the World
Henri Cole’s Blizzard
Jill Bialosky’s Asylum
Martha Serpas’s Double Effect
Marianna Ritchey’s Composing Capital: Classical Music in the Neoliberal Era
Wade Stevenson’s Going Head to Head
Nick Flynn’s This Is the Night Our House Will Catch Fire
John Murillo’s Kontemporary Amerikan Poetry
Robert Hass’s Summer Snow: New Poems
Major Jackson’s The Absurd Man
Carl Phillips’s Pale Colors in a Tall Field
Katherine Franke’s Repair: Redeeming the Promise of Abolition
Peter Jan Honigsberg’s A Place Outside the Law: Forgotten Voices from Guantánamo
Retrospective Review: Nick Flynn’s Some Ether
Sharon Olds’s Arias
Mehnaaz Momen’s Political Satire, Postmodern Reality, and the Trump Presidency: Who Are We Laughing At?
Anis Shivani’s Logography: A Poetry Omnibus 
Ed Bok Lee’s Mitochondrial Night
H. Jon Benjamin’s Failure is an Option: An Attempted Memoir
jayy dodd’s The Black Condition Ft. Narcissus
Claudia Rankine’s The White Card: A Play
Abigail Chabitnoy’s How to Dress a Fish
Adam Zagajewski’s Asymmetry
Anis Shivani’s The Moon Blooms in Occupied Hours
A Conversation on Poetics in Terrance’s Hayes’s To Float in the Space Between and American Sonnets For My Past and Future Assassin